Following our theme of north eastern artists and art about the north east we visited the DLI Museum to see an exhibition of John Cecil Stephenson’s work entitled “Pioneer of Abstraction”. John Stephenson, 1889-1965, was one of the core modernists of the 1930s and is arguably the most important 20th century artist to come from County Durham. His immediate circle included Ben Nicholson, Barbara Hepworth, Piet Mondrian, Naun Gabo and Henry Moore. The art critic Herbert Read, another of his circle, said “he was one of the earliest artists in this country to develop a completely abstract style.” This exhibition, highlighting his work from 1933 to 1939 showed his path from figurative painting to abstraction.
It was interesting to see how his work in industry triggered his route to abstract art and many of us were surprised by how much we enjoyed his art, one of the comments being “I would be happy to hang some of these on my walls”. One of our members, Carol Hindmarch, had researched John Cecil Stephenson and was able to talk us through some of the exhibition which added to our enjoyment of the art. The cafe proved a great starting point for coffee and then lunch was pleasant, providing a nice venue for a leisurely chat.
As ever the group is great company and we enjoyed a day out.
We’d love to hear your thoughts
Fifteen U3A members visited Woodhorn Museum near Ashington in Northumberland on the 17th May. The main purpose of our visit was to view the permanent exhibition by a remarkable group of men-The Pitman Painters. The group, largely made up of coal miners, first came together in 1934 through the Workers Education Association. They wished to study art appreciation so their tutor, Robert Lyon, encouraged them to do it themselves in order to understand what it was all about. Our group enjoyed the art which captures every aspect of life in their mining community. Having Jack Temple, an ex-miner, with the group added to the enjoyment of the day as he was able to provide insights into much of what was on display in the museum. A photographic exhibition of Northumberland scenes was also popular. From Freda’s photograph however, it seems the posterior positioning of one of the exhibits received the most critical acclaim.
“Mary has given me permission to add a few words to her report above. I wanted to comment on the very impressive mock-up of Ashington coal mine. It was excellent and gave the impression of actually being there and feeling the claustrophobia, hearing the miners’ chatter and other sound effects. It was here that Jack came into his own helping us to understand the various situations. When we passed some coal tubs leading from a huge similar picture on the wall, which was quite an effective display, it reminded me of my Dad telling me that an empty tub was called a “chum’un”, which Jack verified. I remembered my Dad telling me of a colleague who told him that a poor miner had died from “a chum’un on the brain”. I was never sure whether an empty tub had fallen on him from a great height, or whether he meant a tumour. Bless him.
I was also fascinated by a proggy and hooky mat demonstration and fancied a go. I’m thinking of setting up a group!” (Freda)
On the 7th June, twelve of the group arrived at the Laing Art Gallery to hear a presentation by Dr. Barbara Morden entitled “A Family Well Disposed”. This interesting talk explored the representation of relationships and status in painting from the 18th century to the present. The work of well-known artists including Gainsborough, Hogarth and Hockney were discussed and then we had the chance to look at the fascinating exhibition “Family Matters: the Family in British Art” which is part of the British Art Debate.
Unfortunately this was the day the Metro was not in service due to strike action. Our numbers had been reduced from seventeen to twelve and some of us left early as the strike combined with the Coldplay concert at the Stadium of Light were bound to cause travel difficulties. However, as last year, we found Dr. Morden’s talk very interesting and informative.
On 12 July 2012 Seaham Harbour U3A’s regular monthly meeting had a format change. The morning was devoted to mingling, drinking tea and coffee and eating cakes and viewing our members’ creative efforts.
On this occasion, the Arts Appreciation Group didn’t have to go far to view some great exhibits! We have some marvellous artists in our U3A, encompassing expertise in painting, photography and patchwork. There was certainly a lot to see and be impressed by. The sea of course played a big inspirational part, as well as family portraits, portraits of famous people, and paintings done in the style of Van Gogh, Monet and even Leonardo. Jubilee year played a small part too! There were pencil drawings and paintings of local scenes we recognised. Brian’s photographs were just so beautiful. One of my favourites was a close up of clear reflective water breaking over rocks making a contrast in one photograph with the foamy whiteness of the surf. I don’t really want to single anyone out because they were all so wonderful, but that photograph really drew me in!
The patchwork team displayed beautiful bright colourful quilts, cushion covers, advent calendars and lots more.
We also had George Beadling and Sarah selling books people had donated. It was quite a large stock of books and they managed to make about £38.
The whole exhibition was delightful, surprising and impressive and certainly gave us a lot to think about, not least concerning how talented our members are!
Did you come along? What did you think?